Lett Thomas / Tokyo Gendai版
Modded Server-Rack Display with Some Interpretations of Imagery from GCHQ ‘The Art of Deception’ Slides
Simon Denny · 2015
UV prints on Revostage platforms, powder-coated 19” server racks, Cisco Systems WS-C2948G switches, LAN cables, Bachmann power strips, steel trays, Extra Chrome SXD II cassette tape, UV prints on Plexiglas, coloured Plexiglas cutouts, acrylic paint on blackboard, Kevin D. Mitnick The Art of Deception paperback book, Penn & Teller Bill of Rights Securi- ty Edition trick cards, Penn & Teller A Perfectly Ordinary Deck of Cards cards and box, miniature camou age net, model plastic barrels, hand-painted Panda Pzkpfw. 38 T Ausf. E/F 1:16 model tank, handmade plastic tank shield, hand-painted Trumpeter HMS Dreadnought 1915 1:350 model battleship, 3D-printed nylon mantis, Warhammer Visions magazines, Warhammer gaming models, hard rubber lizard model, hand-painted foam-core dummy tank, The Spinx: an Independent Magazine for Magicians magazine, UV print on Plexiglas cutout, transparent and coloured Plexiglas, UV prints on Dibond, Fisso stainless-steel spacers, laser-cut Plexiglas letters, anodised aluminium panels, permanent `marker on paper, UV print on sandblasted laminated safety glass, powder-coated steel and aluminium, LED strips.
AIが推定した印象
画像との照合では、「対称的」・「複雑・緻密」・「透け感」・「室内」の印象が比較的強いと推定されました。
対称的 100複雑・緻密 98透け感 97室内 97写実的 95
画像と言葉の類似度による推定です。作品の事実・作者の意図の説明ではありません。解析モデル：openai/clip-vit-base-patch32。