{"gallery":"Gagosian","artist":"Hannah Wilke","title":"Gestures","year":"1974 (still)","medium":"Video, black and white, sound, 33 min. 1 sec., Hannah Wilke Collection & Archive, Los Angeles","image":"https://gagosian.com/media/images/exhibitions/2020/broadcast-alternate-meanings-in-film-and-video-chapter-four/UORr-ag1wTCe_600x600.jpg","large":"https://gagosian.com/media/images/exhibitions/2020/broadcast-alternate-meanings-in-film-and-video-chapter-four/UORr-ag1wTCe_1200x1200.jpg","source":"https://gagosian.com/exhibitions/2020/broadcast-alternate-meanings-in-film-and-video-chapter-four/","credit":"© 2020 Marsie, Emanuelle, Damon, and Andrew Scharlatt/Licensed by VAGA at Artists Rights Society (ARS), New York. Courtesy Electronic Arts Intermix (EAI), New York; Alison Jacques Gallery, London; Marc Selwyn Fine Art, Los Angeles","width":600,"height":450,"id":"af-4503f44706b2d408","category":"other","fairs":["basel","frieze","fiac","paris"],"edition":"5フェア版","analysis":{"status":"ok","model":"openai/clip-vit-base-patch32","method":"画像と言葉の類似度を、収録作品内で比較したAI推定。確率・作者の意図・客観的評価ではありません。","summary":"画像との照合では、「憂い・哀しみ」・「白黒」・「写実的」・「瞑想的」の印象が比較的強いと推定されました。","impressions":[{"id":"melancholy","label":"憂い・哀しみ","value":100},{"id":"blackwhite","label":"白黒","value":99},{"id":"realistic","label":"写実的","value":98},{"id":"meditative","label":"瞑想的","value":98},{"id":"dark","label":"暗い","value":96}],"matched":[]},"url":"https://contemporary-art-20000.pages.dev/artworks/af-4503f44706b2d408"}