{"gallery":"David Zwirner","artist":"Paul Klee","title":"Vorführung des Wunders (Introducing the Miracle), 1916, 54","year":"1916","medium":"Gouache, pen, and ink on plastered fabric, mounted on board","image":"https://cdn.sanity.io/images/juzvn5an/release-adp/229bdb6dc730a49a002483dd059f5573be968ddd-1080x1323.png?w=600&auto=format","large":"https://cdn.sanity.io/images/juzvn5an/release-adp/229bdb6dc730a49a002483dd059f5573be968ddd-1080x1323.png?w=1600&auto=format","source":"https://www.davidzwirner.com/artworks/paul-klee-vorfuhrung-des-wunders-introducing-the-miracle-1916-54-67bc8","credit":"","width":1080,"height":1323,"id":"13b3124db39f54","edition":"世界版","category":"painting","fairs":["basel","frieze","fiac","paris"],"analysis":{"status":"ok","model":"openai/clip-vit-base-patch32","method":"画像と言葉の類似度を、収録作品内で比較したAI推定。確率・作者の意図・客観的評価ではありません。","summary":"画像との照合では、「抽象的」・「鋭角・直線」・「密度が高い」・「コラージュ」の印象が比較的強いと推定されました。","impressions":[{"id":"abstract","label":"抽象的","value":98},{"id":"angular","label":"鋭角・直線","value":97},{"id":"dense","label":"密度が高い","value":96},{"id":"collage","label":"コラージュ","value":96},{"id":"people","label":"人物","value":96}],"matched":[]},"url":"https://contemporary-art-20000.pages.dev/artworks/13b3124db39f54"}